Book Review: Eve in Exile by Rebekah Merkle

My rating: 3.5/5 quills

As you can tell from my quill rating, this was a “like,” but definitely not a “love.” While I know that this book is much-loved in many of my Christian circles, there are several things about it (“evidence,” examples, and tone) that weren’t appealing to me at all. That said, I do think it’s a unique and important book, as it handles many important topics with depth, complexity, and Biblical truth. Those are all wins. Now let’s dig in a little deeper. (But first I wanted to give you the chance to prepare yourself to forgive me if you love this book, and probably also to forgive me if you hate this book.)

Eve in Exile by Rebekah Merkle is a conversation starter, either way you look at it. It’s a thought-provoking, unique, counter-cultural stick of dynamite. Tackling “The Restoration of Femininity” from a Biblical lens, Merkle digs into how the diminishing of Biblical femininity has rippled through our culture, touching on everything from gender roles, having babies, not having babies, and what “homemaking,” really means.

The book stands out for its unique angle on a topic which may seem niche, but which is actually broader than it might first appear, rippling into many aspects of all of our lives.

But let me tell you, my reaction to this book was a rollercoaster.

This is noteworthy especially because, on paper, I’m the poster child for its intended audience (having much in common with the author, herself): an educated, Christian, traditionally feminine, homeschooling mom who thinks “home” is pretty special and worth sacrificing for/ investing in. Yet, even as the target audience, I had issues with Eve in Exile.

Let’s start by some of her main points, many of which I found to be logically organized and well-presented. Here are the highlights of the conversation in Eve in Exile:

1. Gender Roles and Definitions.
Merkle presents a strong argument for distinct gender roles, suggesting equality shouldn’t mean “sameness.” I enjoyed her discussion of boundaries, differences, and excellence as she explored how “the lines define and create a space where excellence can thrive.”

2. Feminist Movements’ Impact.
She focuses not just on the what of women’s basic rights as humans (which she does agree with), but the how and why (which she does not agree with). She goes on to describe how the “how and why” of the Feminist movements have invoked many problems in our current culture, including:
-Celebrating selfishness over selflessness
-Separating sexuality from motherhood, devaluing both as a result.
-Creating a culture that no longer values what femininity actually is, because it’s so focused on making women just like men.
-Making a mockery of the traditional “homemaker” role which is often seen as either sloppy and depressing (think: the millennial mom Instagram trope based on her description) or as a 1950s stereotype (think: a superficial and purposeless existence based on her description).
-How this all leads to a gaping, black hole of overall purposelessness.

3. God’s Design for Women.
This is where Merkle shines, emphasizing women’s unique, God-given roles. She discusses how equality is harmonious when women and men have distinctive roles. She does a really excellent job showing the importance of both, how our current culture may not value one as much of the other (much needed validation, moms), but how we can re-claim ownership of Biblical femininity and find great satisfaction and joy in doing so (I was thinking: “OK. YES. LET’S GO!)

4. Understanding Biblical Submission.
To me, this section was the most dynamic, potentially bombshell, and most well-handled part of the book. Merkle tackles two controversial passages of Scripture which are often mishandled (either denied or misinterpreted): 1 Corinthians 11 (“Woman was created for man”), and Titus 2:3-5, which describes the role of Biblical women in society. My hackles raised slightly here when I realized what she was getting into, but I read it, nonetheless. I have to say that her discussion of these Scriptures is uniquely well done, and worth a read if you are a Christian woman. It’s counter-cultural, but Biblically grounded and convincing. The Biblical perspective here is what makes it so good AND EVEN NON-OFFENSIVE (if you are a Christ-follower.) Ultimately, this section glories Biblical womanhood by comparing it to the life of Christ.

While I think these major points were well-done and worth reading if you are a Christian woman, my praise comes with some serious reservations (and a few eyerolls). Here are some reasons I struggled with Eve in Exile:

1. So Much Stereotyping, Generalizations, and Negativity.
One major issue with the book is its tendency toward stereotyping, generalizing, and a negative tone against entire groups of women. This is particularly evident in the discussion of the 1950s housewife. Merkle portrays these women as vapid and unfulfilled, their meaningful work supposedly replaced by gadgets, diminishing their role as home keepers. While I understood her initial point, her continued portrayal devolves into a demeaning stereotype of an entire generation of women.


For example, Merkle uses “the casserole” as a recurring symbol of lazy homemaking, frequently associating it with the 1950s housewife, whom she describes as preoccupied with just “throwing a casserole in the oven and looking nice.” This oversimplification does a disservice to the complexity of women’s lives. Many women found, and still find, fulfillment in caring for their families and homes. (If they can now, as she argues, then why couldn’t some then?) Additionally, it overlooks the fact that some women had jobs, often facing unfair treatment.


Her suggestion that greater respect and happiness would have come during this time for women if only they had found greater joy in, and worked harder at, their homemaking roles in the ’50s, instead of entering the workforce. (SERIOUSLY??? Let’s go talk to June Cleaver about this one.)

2. Use of Questionable Statistics
Merkle also uses questionable statistics to support her arguments. For example, she compares the rates of antidepressant use among women in the 1950s to the present, insinuating that women are less happy now due to their participation in the workforce. (It was a rise of about 3%). This comparison is super flawed, given the significant changes in mental health awareness and treatment since the 1950s. 3% is barely a fluctuation, especially given that everyone and their dog has a therapist today, whereas it was a lot less common in the 1950s. The fact that she even uses this example as “evidence” undermines her point.

3. Lack of Depth in Examples
Lastly, and perhaps most disappointingly, Merkle fails to get personal and go deep when it really counts. More personal accounts would have added so much to the whole book, but particularly when Merkle delves into the essence of Biblical femininity. She starts this section strong, offering a compelling view of women as translators of the immaterial into physical, beautiful experiences. She uses the strong example of how women create the experience of Christmas to highlight the meaning of Christmas.
However, her examples beyond that fall short, focusing on cooking, interior design, and dressing well as pinnacles of Biblical womanhood. (Really?) This approach paradoxically reinforces the very stereotype of the 1950s housewife—focused on surface-level tasks—that she earlier criticizes. A deeper exploration, perhaps including personal anecdotes from her own life and journey, would have added significant much-needed impact to this section.

In essence, I do think Eve in Exile is a worthwhile read for the Christian woman, but I can only recommend it with some caveats. It’s insightful, unique, thought-provoking, and grounded in a strong Biblical foundation. Yet, it sometimes slips into stereotypes and misses the mark in fully exploring the depth of its subject. In other words, its tone often undermines the message itself. It’s a book that will resonate with some, challenge others, and leave many, like me, feeling a blend of strong agreement, frustration, and the occasional eye-roll.

The Duke and I by Julia Quinn

My rating: 2.5/5 Quills

Dear Reader,
I have a confession to make—one that evokes a deep blush. Yet, in keeping with my commitments to our reading blog society, I feel compelled to share it with you. In my quest of finishing a book per week, my second novel of 2024 is quite different from my usual literary fare. It is, in fact, The Duke and I, the first novel in Julia Quinn’s Regency romance series, Bridgerton.

Perhaps you have watched the Netflix adaptation?

The series follows the high-society Bridgerton siblings as they navigate the social sphere of Regency era London. All happenings (both secret and not secret) are reported in an infamous society gossip column, written by the mysterious “Lady Whistledown.”

The Duke and I is a love story between the innocent, kind-hearted, and perceptive Daphne Bridgerton, and the worldly, handsome, tortured Duke of Hastings, also known as Simon. Simon has a tragic past. Daphne has a happy one. It’s one of those Beauty and the Beast situations from the outset.

First, reader, I must tell you. This is a Regency romance, in every sense of the word, and this is not usually my cup of tea. I love a good love story, but I generally feel uncomfortable being thrust into that part of other people’s lives (even fictional ones). I feel like I’ve walked into someone’s bedroom accidentally, and I’m just not a fan of that. As I said: blushing.

However, if the story and/or characters are good, and the love story is compelling, I feel more open to a thoughtful use of love scenes. And ultimately, I felt that they were mostly thoughtfully used in this book: to emphasize key parts of the love story instead of being the whole love story. The Regency era setting also feels authentic, the tone is witty and enjoyable, and the characters are likable.

Without too many spoilers, here is the gist of the novel. Young Daphne Bridgerton and the Duke of Hastings, despite being quite opposite, strike up a friendship and decide it will be to their mutual benefit to feign a courtship. The Duke hopes that this faux-courtship will deter socialite mothers from thrusting their daughters upon him. Daphne hopes that appearing to have caught the season’s most eligible bachelor will make her look more desirable. Their plan works, but, of course, things become more complicated. The four main drivers of these complications are:

  1. The Duke, who hates his late father, has sworn to never marry and never, ever have children (denying the estate the heir that his father would have wanted).
  2. Daphne’s only dream is to have a family, and children, of her own.
  3. The two fall in love.
  4. They are forced to marry when they are caught in a compromising situation.

    That’s it. That’s basically the plot. There’s not a lot happening, but what does happen is well done. Ultimately, I cared about Simon and his background. I wanted him to overcome his hate. I was rooting for Daphne. She was innocent and naive, but also intuitive and wise—a realistic and interesting heroine. The chemistry between them was sweet and fun to read.
    Would I recommend it to everyone? NO! This book is a little bit like Jane Austen Cliff Notes with some sugar and chipotle powder sprinkled on top. However, the thoughtful historical details and character development lend it enough substance to rise above the typical ‘romance novel.’
    It’s well-written, but lacking much depth. That said, I mostly enjoyed it. I enjoyed it enough to finish it, anyway. It’s not amazing literature. However, if I considered it to be bad literature, I wouldn’t have finished it and would not be writing this at all.

    Ultimately, reader, The Duke and I was a bit like a tea time macaron: sweet, light, non-hearty fare that’s not for everyone, but may make a nice treat for some.

    View all my reviews

Book Review: The Christie Affair by Nina de Gramont

A flapper-esque woman in pearls on the cover. A 1920s disappearance. A work of historical fiction based on the life of mystery icon, Agatha Christie. I’ll be honest: the cover, and the jacket-flap summary, won me over. However, ‘The Christie Affair’ by Nina de Gramont turned out to be something different than I initially expected.

This novel is a character-driven, slow-burning tale. While the story’s hook is to explore the whereabouts of Christie during her famous two-week disappearance with no explanation, the bulk of the story revolves around a supposed reason for her disappearance: her husband’s mistress, Nan.

As the story unfolds, it sets a stage with distinctive characters clearly in the spotlight. The two primary women, Nan and Agatha, seem to have few things in common on the surface, but they are connected in surprising ways. Agatha’s husband, Archie, is a truly love-to-hate-him character, reminiscent of Tom Buchanan from ‘The Great Gatsby’. The inspector on the case of Agatha’s disappearance, Chiltern, gives strong nods to Christie’s famous detective, Hercule Poirot. Lastly, Finbarr, a tragic, war-torn, childhood love of Nan’s, adds complexity and uncertainty to the whole.

The setting and style of the story are very believably 1920s, reminiscent of works written during that time. Even more impressive is how the style of ‘The Christie Affair’ mimics the work of Agatha Christie herself. This lineup of memorable characters, while initially only mildly interconnected, becomes closely tangled as one mystery unfolds into many more—ultimately leading to the revelation of unexpected connections, motives, crimes, and resolutions. Interestingly, and perhaps appropriately, Christie’s character is more background to the main actions of the story. Her disappearance focuses more on internal resolutions, showcased by her furious writing throughout. The reader will be much more caught up in the mysteries surrounding the true main character, Nan.

Ultimately, this book is more than it seems; it’s not just a cozy mystery, or a fabulous homage to Agatha Christie, but also a portrait of how we all, to some degree, write the mysteries we present to, or hide from, the world.

I give The Christie Affair 4/5 quills!

Have you read The Christie Affair? What did you think? (Personally, it made me want to add some Agatha Christie books to my Good Reads list!)

P.S. Yes, it’s me! I’m still here! I’ve been freelancing blogging so much for other people over the past couple of years, but I’m back to my personal blog to keep in touch with writing (and reading) that I do for my own self. I am not calling it a “2024 resolution”…despite the fact that this review comes on 1/1/2024 along with the desire to read and review one book a week this year. I’m not calling it that. Regardless, I hope it will turn out that way. Anyway, I anticipate this blog being more book-centric this year. Thanks for being here!